Woodcut printed in black ink on thin Japon paper
Signed "Edv Munch" in pencil, lower right
Sammlung Gustav Gerold, Bonn, collectors stamp verso.
Impression of the first state (of three), before many of the
white areas in the foreground have been cleared.
Presumably printed by the artist
Image: 12 1/2 x 18 inches
Sheet: 15 x 20 1/2 inches
Framed: 21 3/4 x 29 3/4 inches
(Woll 134.a.I) (Schiefler 118)
Woodcut printed on thin Japon paper
Signed "Edv Munch" in pencil, lower right
Inscribed "Vinterlandskab" in pencil, lower left
Printed by M.W. Lassally, Berlin
Image: 12 1/2 x 18 inches
Sheet: 15 1/2 x 22 1/2 inches
Framed: 21 3/4 x 29 5/8 inches
(Woll 134.b.II) (Schiefler 118)
Etching and aquatint with drypoint printed in brown ink on Van Gelder Zonen laid paper
From the 1906 Linde portfolio, edition of 13
Printed by Otto Felsing, Berlin, 1906
Signed by the artist in pencil, lower right
Signed by the printer in pencil, lower left
Inscribed "S189" in pencil, bottom left
Inscribed "No 100" in pencil, upper left verso
Stamped "14" in blue ink, upper right verso
Image: 17 1/4 x 23 7/8 inches
Sheet: 22 3/4 x 31 inches
Framed: 32 15/16 x 38 5/8 inches
(Woll 221) (Schieffler 189)
MUNC00071
Woodcut and lithograph on zinc plate printed in blue and yellow
Printed by Nielsen, Oslo
Image: 19 1/2 x 16 3/4 inches
Sheet: 25 1/8 x 19 5/8 inches
Framed: 30 7/8 x 27 5/16 inches
(Woll 628.II) (Schieffler 488)
Lithograph printed in four colors (black, red, blue, and green)
Signed in pencil, lower right
Printed by Lassally, Berlin
Image: 21 3/4 x 13 3/4 inches
Sheet: 27 1/8 x 20 inches
Framed: 36 7/8 x 27 5/16 inches
(Woll 39.VII) (Schieffler 33)
Lithograph printed in black ink on cream wove paper
Signed "Edvard Munch" in pencil, lower right
Printed by Anton Peter Nielsen, Kristiania
Image: 15 x 14 inches
Sheet: 25 3/16 x 25 7/16 inches
Framed: 28 x 27 3/4 inches
(Woll 713)
Lithograph printed on heavy buff wove paper
Stamped "Fra Edvard Munchs testamentariske gave OSLO KOMMUNE" in ink, verso
Stamped and inscribed "Munch-Museet, Munch-museet 1968, Bo nr. 238-42, Sch. nr. ________" in ink, verso
Printed by Petersen & Waitz
Image: 18 1/4 x 23 1/2 inches
Sheet: 19 5/8 x 25 1/2 inches
Framed: 31 3/8 x 36 5/8 inches
(Woll 147.II) (Schieffler 122)
Lithograph printed in black on medium heavy cream paper
Signed in pencil lower right: E. Munch
Printed by M.W. Lassally or Petersen & Waitz, Kristiania
Image: 27 x 15 3/4 inches
Sheet: 30 x 18 1/2 inches
Framed: 38 x 26 1/4 inches
(Woll 198.I) (Schiefler 142)
Drypoint printed in black ink on Japan paper
From the second (final) state
Signed by the artist in pencil, lower right
Signed by the printer in pencil, lower left
Printed by Otto Felsing, Berlin
Image: 12 x 8 1/2 inches
Sheet: 19 3/4 x 12 3/4 inches
Framed: 24 3/4 x 21 inches
(Woll 3.b.B) (Schiefler 3)
Woodcut printed in black and grey on brown paper
Signed in pencil, lower right
Printed by the artist
Image: 18 3/8 x 18 1/8 inches
Sheet: 23 7/8 x 23 inches
Framed: 29 1/2 x 28 1/4 inches
(Woll 204.III.1) (Schieffler 102D)
Line etching, open bite, drypoint and burnisher on copper plate
Signed by the artist in pencil, lower right
Printed by Carl Sabo or L. Angerer, Berlin
Image: 13 x 10 7/8 inches
Sheet: 19 x 15 1/5 inches
Framed: 24 x 21 inches
(Woll 23) (Schiefler 22)
Lithograph printed in black
From the "Alfa og Omega" ("Alpha and Omega") series
From the collection of the Munch Museum, Oslo
Museum inventory number 307-39 stamped on verso
Printed by Dansk Reproduktionsanstalt, Copenhagen
Image: 13 x 16 1/2 inches
Sheet: 19 1/2 x 25 1/4 inches
Framed: 23 x 30 inches
(Woll 342) (Schiefler 312)
Woodcut printed in black, greenish blue, and orange
Signed in pencil, lower right
Printed by the artist or Lemercier, Paris
Image: 20 5/8 x 25 5/8 inches
Sheet: 21 1/4 x 26 7/8 inches
Framed: 31 5/8 x 35 7/8 inches
(Woll 112.II) (Schieffler 100)
Lithograph with woodcut printed in color on fine white oriental paper
Signed "Edv Munch" in pencil, lower right
Printed by M.W. Lassally, Berlin, or Anton Peter Nielsen, Kristiania
Image: 15 1/4 x 21 3/4 inches
Sheet: 16 7/8 x 23 5/8 inches
Framed: 25 3/4 x 34 1/4 inches
(Woll 41.VI) (Schiefler 34)
Sugarlift aquatint and drypoint with scraper printed on Auvergne Richard de Bas laid paper with ”La Célestine” watermark
From the Suite 347 (Plate 136, La Célestine), one of thirty HCs from the edition of 400
Printed by Crommelynck, 1971
Published by Crommelynck as an illustration for Fernando de Rojas's La Célestine, 1971
Image: 2 3/8 x 4 3/4 inches
Sheet: 8 1/4 x 6 1/4 inches
Framed: 13 1/2 x 12 1/8 inches
(Bloch 1616) (Baer 1632.II.B.c) (Cramer 149)
Sugarlift aquatint printed on Auvergne Richard de Bas laid paper with ”La Célestine” watermark
From the Suite 347 (Plate 119, La Célestine), one of 30 HCs from the edition of 400
Printed by Crommelynck, 1971
Published by Crommelynck as an illustration for Fernando de Rojas's ”La Célestine”, 1971
Image: 4 3/4 x 2 3/8 inches
Sheet: 8 1/4 x 6 1/4 inches
Framed: 14 7/8 x 12 1/8 inches
(Bloch 1599) (Baer 1615.B.c) (Cramer 149)
Etching and aquatint printed on Rives wove
From the edition of 200
Printed by Atelier Crommelynck, Paris, 1968
Published by Éditions de l'Atelier Crommelynck as an illustration for Fernand Crommelynck's play ”Le Cocu Magnifique,” 1968
Book numbered 120/200
Image: 8 5/8 x 12 5/8 inches
Sheet: 11 x 14 3/4 inches
Framed: 19 3/8 x 22 11/16 inches
(Bloch 1253) (Baer 1441.B) (Cramer 140)
Suite of six lithographs printed on Arches wove paper from three zinc plates
Each lithograph is one of five state proofs; no edition was printed.
Printed by Mourlot.
The first state of the black plate
Image: 12 3/8 x 19 1/4 inches
Sheet: 15 1/4 x 18 3/8 inches
(Mourlot 197)
The first state of the color plate, printed in red
Image: 12 1/2 x 18 3/4 inches
Sheet: 15 1/4 x 22 1/2 inches
(Mourlot 197) (Reuße 555)
The first state of the black and color plates printed in black and ochre
Image: 12 1/2 x 18 inches
Sheet: 15 x 22 1/4 inches
(Mourlot 197) (Reuße 556)
The second state of the black and color plates printed in black and red
Image: 14 1/4 x 19 inches
Sheet: 15 1/4 x 22 1/4 inches
(Mourlot 197) (Reuße 559)
The third state of the color plate printed in black ink
Image: 14 1/4 x 19 inches
Sheet: 15 1/4 x 22 1/4 inches
(Mourlot 197) (Reuße 560)
The third state of the black plate and the first state of the second color plate printed in black and ochre
Image: 15 1/4 x 20 inches
Sheet: 19 3/4 x 26 inches
(Mourlot 197) (Reuße 562)
Sugarlift aquatint on Arches paper with Arches watermark
From the edition of 50 of the second (final) state
Signed by the artist in ink, lower right
Numbered 3/50 in pencil, lower left
Dedicated “Pour Maurice, affectueusement, Marie Cuttoli” in ink, lower left verso
Printed by Lacourière, 1953-54
Published by Galerie Louise Leiris, 1954
Image: 32 3/4 x 18 3/8 inches
Sheet: 36 x 25 inches
Framed: 46 1/4 x 31 inches
(Bloch 746) (Baer 906.II.B.b.1)
Linocut printed in three colors on Arches wove with Arches watermark
One of twenty artist's proofs of the fourth (final) state, outside the edition of 50
Signed by the artist in pencil, lower right
Inscribed ”epreuve d'artiste” in pencil, lower left
Printed by Arnéra, 1963
Published by Galerie Louise Leiris, 1963
Image: 10 5/8 x 13 3/4 inches
Sheet: 17 1/2 x 24 3/4 inches
Framed: 26 x 28 7/8 inches
(Bloch 1083) (Baer 1319.IV.B.b)
Aquatint, etching, drypoint, and engraving printed on Arches paper with Arches watermark
One of seven impressions of the third state
Printed by Lacourière, 1955
Image: 17 5/8 x 20 3/4 inches
Sheet: 22 1/4 x 30 inches
Framed: 30 1/2 x 33 1/2 inches
(Baer 925.III)
Aquatint, scraper, burin and drypoint printed on Rives
One of three trial proofs printed before steelfacing, outside the edition of 50 of the sixth (final) state
Printed by Lacourière
Image: 31 3/8 x 16 7/8 inches
Sheet: 35 1/2 x 25 inches
Framed: 44 3/4 x 29 3/4 inches
(Bloch 1835) (Baer 876.VI.A.a)
Aquatint printed on Arches wove with Arches watermark
From the edition of 50
Signed by the artist in pencil, lower right
Numbered 46/50 in pencil, lower left
Printed by Lacourière, 1952
Published by Louise Leiris Galerie, 1952
Image: 18 x 21 3/4 inches
Sheet: 21 1/4 x 25 7/8 inches
Framed: 28 x 31 inches
(Bloch 692) (Baer 894 B.b.1)
Etching, aquatint, scraper and drypoint on Rives wove
From the 156 Series (Plate 10), edition of 50
Stamped with the artist's signature, lower right
Numbered 29/50, lower left
Image: 19 1/2 x 16 1/4 inches
Sheet: 26 7/8 x 22 inches
Framed: 33 x 29 3/8 inches
(Bloch 1865) (Baer 1870)
Drypoint printed on ancient Japon laid paper
From the Suite des Saltimbanques (Plate X), edition of 27 or 29
Printed by Fort, 1913
Published by Vollard, 1913
Image: 4 3/4 x 3 7/16 inches
Sheet: 19 1/4 x 13 1/4 inches
Framed: 24 3/4 x 20 1/2 inches
(Bloch 10) (Baer 12.b.1)
Monotype on Arches paper
Annotated "II E." by artist in pencil, upper right
Inscribed "G541, G1243/9, 18551" in pencil on verso, lower right
Marina Picasso Collection stamp on verso
One of two impressions printed by the artist in 1933
Image: 5 1/2 x 4 3/8 inches
Sheet: 9 7/8 x 6 3/4 inches
Framed: 25 1/4 x 19 7/8 inches
(Baer 541)
Etching printed on Montval laid paper with Montgolfier watermark
From the Suite Vollard (S.V. 85), edition of 50 from the third (final) state; after steelfacing
Signed by the artist in pencil, lower right
Inscribed "355" lower left, in pencil
Printed by Lacourière, 1939
Published by Vollard, 1939
Image: 11 3/4 x 14 3/8 inches
Sheet: 15 1/4 x 19 3/4 inches
Framed: 22 1/2 x 24 3/8 inches
(Bloch 192) (Baer 351.III.B.c)
Etching printed in brown-black on Montval laid paper with Picasso watermark
From the edition of 108, of which half are printed in black and half are printed in brown-black (An additional edition of 50 was printed in 1961 as part of the Caisse à remords .)
Printed by Lacourière, 1942
Image: 9 1/4 x 11 3/4 inches
Sheet: 13 3/8 x 17 3/4 inches
Framed: 21 3/8 x 23 1/4 inches
(Bloch 286) (Baer 439.B.d.2)
Drypoint and scraper on full margin Arches laid with Arches watermark
Outside the edition of 100
Signed by the artist in pencil, lower right
Inscribed "Deux figures nues" in pencil, bottom left corner
Inscribed "AW 251 - BL 17 - Picasso Deux figures nues 1909 Pointe seche (G.21/111)" in pencil, bottom left verso
Image: 5 1/8 x 4 3/8 inches
Sheet: 23 7/8 x 17 3/8 inches
Framed: 27 9/16 x 21 inches
(Bloch 17) (Baer 21.III.b)
Lithograph (crayon and scraper on zinc) printed on Arches wove paper
From the edition of 50
Signed by the artist in red crayon, lower right
Numbered 19/50, lower left
Printed by Mourlot
Image: 27 1/2 x 21 5/8 inches
Sheet: 30 x 22 1/4 inches
Framed: 34 1/2 x 26 1/2 inches
(Bloch 727) (Mourlot 229) (Reuße 614) (Rau 563)
Etching printed on Rives wove
From the Suite 347 (Plate 1), edition of 50 of the seventh (final) state
Signed by the artist in pencil, lower right
Numbered 37/50 in pencil, lower left
Printed by Crommelynck, 1968-69
Published by Galerie Louise Leiris, Paris, 1969
Image: 15 1/2 x 22 1/4 inches
Sheet: 22 1/2 x 28 inches
Framed: 28 1/8 x 34 3/8 inches (black)
(Bloch 1481) (Baer 1496.VII.B.b)